The papers of this special issue discuss the question of sketch as a subject matter of aesthetics, in theory and in practice, rather than an art history. The issue of sketch does not necessarily concern with artworks. Thus, in “Sketch as Medium in...

Publication of « Sketch, Schema, and Aesthetics », edited by Yolaine Escande and Johanna Liu, a special issue of journal Universitas : monthly Review on Philosophy and Culture,  n° 534, November 2018 (in English and Chinese). With articles from...

Proceedings of conference Visions of the Future, Vered Karti Shemtov, Gisèle Sapiro and Anne Simon (Eds.), Dibur Literary Journal, Arcade-Stanford University, issue 6, fall 2018.  The conference was jointly organized by Vered Karti Shemtov (...

This volume presents twelve original essays, by an international team of scholars, on the relation of John Locke's thought to Descartes and to Cartesian philosophers such as Malebranche, Clauberg, and the Port-Royal authors. The essays, preceded by...

Michelangelo Merisi, detto il Caravaggio (1571-1610), è una figura fondamentale nella storia dell’arte, un precursore della modernità. Al pittore lombardo, il cui realismo spinse Poussin ad affermare che era nato per «distruggere la pittura», si...

El 17 de octubre de 1949 la marcha peronista, grabada por Hugo del Carril, fue cantada por primera vez por el pueblo en Plaza de Mayo, en presencia de Perón y Evita. Todavía hoy se discute acerca de su origen, pero lo cierto es que desde entonces,...

En julio de 1980 Daniel Barenboim y la Orquesta de París viajaron a Buenos Aires para dar una serie de conciertos en el Teatro Colón. A pesar del triunfo artístico excepcional de la gira, la solidaridad de un grupo de músicos de la orquesta con los...

Narratology has been flourishing in recent years thanks to investigations into a broad spectrum of narratives, at the same time diversifying its theoretical and disciplinary scope as it has sought to specify the status of narrative within both...

Uprisings - from 18 October 2016 until 15 January 2017 Concorde, Paris

Under the dictatorships of the twentieth century, music never ceased to sound. Even when they did not impose aesthetic standards, these regimes tended to favour certain kinds of art music such as occasional works for commemorations or celebrations,...