Crafting a sonic urbanism: the political voice

Attention is turning more and more to urban sound as a material to design with, as a site of conflict, as a medium through which to understand the urban environment, and so on. Crafting a sonic urbanism seeks to look beyond the soundscape as an object and bring together research and creative practice that reveals how sonic concerns and methods could shed new light on political, cultural, and social formations in the city.

Following the first conference in 2018 exploring sonic urbanism in its broadest interpretation, the second iteration will focus on the ways that the voice / voices and their enmeshments with architecture, infrastructure, and technology are understood in the fields that both analyse and design urban life in their political dimension. To be politically engaged is to have one’s voice ‘heard’ in the public space. How and where, though does this hearing happen? Whose voices are heard, both in the street and on the political stage? What is the role of architecture in amplifying or indeed diminishing the audibility of difference voices? The voice, here, is understood physiologically— as the human capacity to produce sounds and speech orally, - and socially - as the ability and the right to participate in the public sphere of political discourse and debate. Voices are understood as the multiplicity of these capacities, abilities, and rights, and their unevenness across bodies, geographies, platforms, and settings, which are arguably our primary mode of engagement with urban society but little understood in the disciplines that design and plan it. How, then, can urbanism take account for the voice and for voices as primary concerns for the shaping of cities? To what extent can urbanism play a role in giving, shaping, or amplifying voices, creating public squares that can be occupied and where voices come together and rise, and how has it participated in their silencing?

 

Programme

The day will be organised in two events. A colloquium (free, sign up mandatory) and an evening conference (free, sign up recommended). Please note the timings, titles and participants for each panel are still in development.

COLLOQUIUM — 9.30-17.00

09.30-09.45 — Welcome and opening remarks

John Bingham-Hall
Director
Theatrum Mundi

Arnaud Esquerre
Director
IRIS (EHESS)

 

09.45-11.00 — COMPOSING THE VOICE

Duncan McLeod
Assistant Professor of Music
University of Nottingham
→ The Cries of London

Jonathan Packham
DPhil Student
Oxford University
→ Lin Chi-Wei’s Tape Music: Spatial Scoring, Voicing Identity

Fani Kostourou & Dimitri Szuter
Researcher & Fellow
Theatrum Mundi
→ The voice of and on a Parisian territory in transition

Chaired by John Bingham-Hall, Theatrum Mundi

 

11.15-12.30 — MEDIATING VOICES

Fabien Cante
Teaching Fellow
University College London
→ Post-conflict soundings and radiophonic repair in Abidjan, Côte d’Ivoire

Eleni Ikoniadou
Senior Tutor in Visual Communication
Royal College of Arts
→ Fugitive Voices

Gregoire Chelkoff
Professeur Enseignant chercheur
Cresson / Ecole Nationale Supérieure d’Architecture de Grenoble
→ Les voix de la ville : effets sonores, espaces construits et ambiances urbaines

Chaired by Lola San Martín Arbide, EHESS

 

12.30-13.30 — Pause déjeuner

 

13.30-14.00 — PERFORMANCE

Jessica-Maria Nassif
Designer
→ Mix, Match and Start From Scratch

14.00-15.15 — ORAL CULTURES

Eric de Visscher
Andrew W.Mellon Visiting Professor
VARI (V&A Research Institute), Victoria and Albert Museum
→ Can museums reveal themselves as platform for a new sonic urbanism?

Tyler Sonnichsen
Lecturer
Central Michigan University
→ Punk, Oral History, and the Voice of the Revanchist City

Ella Finer
Adjunct professor, Performance Studies
Syracuse University, London
→ A Politics of Resonance: the Commons and the Square

Chaired by Gascia Ouzounian, Oxford University

15.30-16.45 — VOCAL CONTESTATIONS

Naama Meishar & Talia Margalit
Teaching Fellow & Senior Lecturer Assistant Professor
Technion – Israel Institution of Technology & School of Architecture, Tel Aviv University
→ Routine, Cry and Demand in southern Tel Aviv: Peddlers, Asset owners and Developers Voice objections to the Planning Committee

Laudan Nooshin
Professor and Head of Music Department
City, University of London
→ Understanding the Sensory City: Tehran’s Contested Voicescapes’

Tom Western
Marie Curie Fellow
Faculty of Humanities, University of Oslo
→ Sonopolis: Refugee Feedback and Noisy Citizenships in Athens

Chaired by Justinien Tribillon, Theatrum Mundi

16.45-17.00 — Closing Remarks by Richard Sennett

 

CONFERENCE — 18.00-20.00

Projection du film Voi[e,x,s] et présentation par Alexandra Lacroix
Metteuse en scène
Cie MPDA – Alexandra Lacroix

Saskia Sassen
Robert S. Lynd Professor of Sociology
Columbia University
→ Does the City have speech?

In asking “Does the city have speech?”, Saskia Sassen (2013) provides the stimulus for this colloquium. The city, she argues, is still “a space where the powerless can make speech, presence, a politics”, but furthermore, the “interactive deployment of people, firms, infrastructures, buildings, projects, imaginaries, and more, over a confined terrain, produces something akin to speech” (2013, 211). In other words, “the city talks back”. As architectures and active bodies coalesce in particular times and places in the city, and in particular ways, ‘resistances and enhanced potentials’ emerge that change the meaning of intended acts like design, or of chance forms of encounter. “Rush hour in the city is a process where we bump into one another, rip off a button here or there, step on one another’s feet. Yet we know none of these actions are personal in city’s center at rush hour, unlike in the neighbourhood, where they would all be provocations” (Sassen 2013, 214). This kind of speech is not only sonic, but any act that changes meaning or that communicates – something that can be done both by people and by the city they speak through and within. But what if we returned to the acoustic material at the base of this concept? How, literally, do our own utterances become translated via the language of the cities that are their containers? How do the acoustic resistances and acoustic potentials of architectural space speak through and transform voices themselves.

Chaired by Sylvain Bourmeau
Directeur AOC
Professeur Associé à l’EHESS
Producteur sur France Culture

Informations pratiques

Chercheur(s):
Date(s)
  • Vendredi 13 décembre 2019 - 09:30 - 20:00
Lieu(x)
  • Campus Condorcet - centre de colloques - M12 Front populaire, Cours des humanités, 93322 Aubervilliers
Contact(s)
  • iris@ehess.fr
Téléphone
01 88 12 12 91
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